Programs

LINK OF CINE-ASIA Project Market

ANGKAT
Production Country (s) Malaysia, Indonesia Production Company (s) Feisk Productions, Catchlight Pictures Indonesia
Genre Drama, Dark comedy Production Spec 4K / Color / 100 min
Production Stage
(or Project Status)		 Script Development Expected Date of Completion December 2020
Total Budget
(Negative Cost)		 200,000 USD Confirmed Financing Total 10,000 USD
(production house investment)
Fellow Name Feisal AZIZUDDIN
Director Feisal AZIZUDDIN Email of Director feisal@feisk.com.my
Profile of the Director In 2010, Feisal Azizuddin co-founded a media company called Feisk Productions. In 2014 he ventured into TV and produced two reality shows which aired on local TV and VOD platforms. In 2016, Feisal shifted focus to films. He has directed and produced over a dozen short films which have been screened in genre festivals such as Crimson Screen Horror Film Festival, Wreak Havoc Film Festival and Film Leben. In 2018, Feisal directed and produced his first feature film, Temenggor, which is planned for a 2020 release. He also directed and produced a horror feature film called Suraya, which comes out in Malaysian theatres in December 2019.
Producer (s) Iskander AZIZUDDIN
Luhki HERWANAYOGI		 Email of Producer (s) isk.aziz@feisk.com.my
luhki.herwanayogi@gmail.com
Profile of the Producer (s) Iskander Azizuddin left his corporate job of five years in a bank and co-founded a media production company, Feisk Productions in Malaysia in 2010. He has produced content for TV; Kampung Quest (2014-17) and Trailseekers and has also directed and produced short films for iflix and Viddsee. In 2019, he was selected as a fellow for Bifan’s Fantastic Film School for his horror feature project with filmmakers from four other countries.

Luhki Herwanayogi is a film director and producer from Indonesia, Since 2009, he has been running his own production house Catchlight Pictures Indonesia and a community-based production house cre8pictures. His short films including On Friday Noon and Don’t Play Alone have been funded by prominent institutes and screened in various international film festivals.
Logline Three brothers with a fractious relationship, set out to bring home the body of their father back to their remote village for his burial. However, 30km from reaching their van breaks down and are forced to carry his coffin for the remaining journey home.
Synopsis Pak Gani (64), a well-respected carpenter, hails from Kampung Pusu a remote little village accessible only through the old roads that run deep amidst the mountainous regions of Pahang. Raising his children, he was a strict father to three sons; Ibrahim, Yusuf, and KARIM (25) and a daughter, SARA (38), the eldest. This was more often than not a cause for resentment between all of them. His sons, now all grown up, have drifted apart from the family and moved to the city for work. The brothers still at odds with each other live separate lives.
When Pak Gani tragically suffers a stroke and dies during one of his trips away, the sons are forced to put aside their differences and bring his body home. Along with his coffin about 30km from reaching, their van breaks down. Meanwhile at their village, family members and relatives have started preparations for the burial.
When the entourage fails to turn up, Sara struggles to cope with the prospect of another ordeal in the family. She has carried a deep secret that has implications to the relationship with her siblings - Karim is her son. Stranded with no other option, the brothers decide to carry the coffin for the remainder of the journey. Through haphazard rivers, murky swamps and torrential rain, they ruminate about the rocky relationship they had with their father. As they tirelessly make their way home, the brothers realize that their resentment towards their father has ironically brought their family back together again.